I love mariachi music because it’s immediate. When you’re playing for an audience, you’re usually right there next to them. Once in a while you might be on stage, but at any rate, you’re still close by. That makes the music more vibrant, more exciting, more alive. As a performer it’s wonderful because you constantly make eye contact with your audience either to let them know you empathize or that you’re joking or that you’re simply checking in to make their experience the best one possible.
This is in complete contrast to classical music. Last month I had a chance to hear the Tucson Symphony Orchestra concert. Steven Moeckel played John Corigliano’s concerto “The Red Violin,” and because he’s Steven Moeckel, he played it really, really well.
I could see him perfectly because I was sitting in the third row. I couldn’t see the oboes or the trumpets, but I didn’t care. As a violin player, I’m biased. During an orchestra concert, I want to keep my eyes on the violins.
I watched in awe as Steven played harmonics and double stops. He played sustained notes with graceful vibrato and crunched through passages played for effect. Because I happened to be sitting close to him, I could see his expressions and feel his triumph as he crashed through difficult passages that were high and fast and loud.
But as he performed, most of the audience was completely removed from him. (He and the conductor did give a half-hour talk before the performance, however.) The regular concert-goer wouldn’t have left the theatre with any sense of Steven the man behind the violin.
This is a shame. The reason I wanted to hear this concert was not merely because I knew the violin playing would be top-notch or that the symphony members would do a wonderful job with Mahler #5. I wanted to hear Steven in concert because a few years ago when I started back up with the Southern Arizona Symphony Orchestra, Steven performed with us. I got to meet him and talk to him in person. And that’s how I found out he’s a tremendously nice guy. Never mind that he’s played concerts all over Europe, never mind that he’s been concertmaster of both TSO and the Phoenix Symphony Orchestra. He’s there for all of us.
As I heard him perform tonight, I was well aware of that. I felt bad for the audience members who only knew about him through the biography in the program and hearing the notes he played on stage. He’s much more than that, but in classical music, the audience is almost always a distant concept. They’re specks of dust on the horizon or drops of rain in a storm. They’re far away.
What I’d really like to see is Steven Moeckel playing up close and personal in a mariachi band. Now that would be worth seeing every night of the week.
For more on mariachi and my new novel MARIACHI MURDER, please visit http://www.drransdellnovels.com.